Body Images

Dripping, flowing color, energetic yellow-orange-red squiggles combined with delicate, spidery handwriting. Four large-scale roses in bloom fill the wooden panels. Only on closer inspection do we notice the many details, especially the poems written by the artist on the canvases. The are part of a series of paintings that Cy Twombly dedicates to the rose.

Amy Sillman’s painting “Fatso” shows in a cartoon-like style, in bright green, the massive, shapeless body of a grim looking figure. We can't tell if the figure is male or female.

Alex Katz paints his wife Ada in a fashion classic—the black cocktail dress. Like a photo shoot, she is shown in six different poses and from changing perspectives; only the dress remains the same. The painted image looks flat, as if the artist wants to put the surfaces in the foreground. He succeeds in this with his recognizable painting style, where there is not one brushstroke too many.

A painted mannequin is at the center of this picture. She is placed in an interior full of specially-designed objects. Marble, wooden and silky materials. A book about the dramatic staging of fashion. And a map of Glasgow, Lucy McKenzie’s birthplace, which is hung as wallpaper.

Jean-Michel Basquiat combined symbols, words, letters and drawings in his picture. The painting is untitled, but because of the unique mixture of recognizable signs and traces you can read much from it as a viewer. With oil paint and oil pastels, the artist painted restlessly diverse references ranging from European cultural history to African-American counterculture.

In the more than eight-meter-long mirrored shelf, 27,639 tablets are lined up, placed carefully next to each other in precisely defined positions. If you take a closer look at the pills, you can’t help but risk a glance in the mirror yourself: Do we also believe that we can treat every illness and every ailment with a suitable pill?