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(Hi)stories

Using pictures to tell a story? This technique has a long tradition in art history! Contemporary artists also tell stories in their works. Which historical or fictional events, myths, literary texts, or indeed personal stories are processed in artworks? And can materials also reveal or conceal stories?

Do you sometimes wish for a different ending?

There are countless ways to tell the same story using different images. Historical events, myths, fairy tales, cultural history—they all accompany us throughout our lives. They tell stories and history, often in different ways. Can you think of an historical event that you believe was crucial to your life today? Would you dare to illustrate it? What would you put in the foreground? Does your imagination sometimes continue your favorite stories, or even alter them?

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Artist Jean-Michel Basquiat

was born in New York, USA, in 1960 and dies there in 1988.

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Artwork Cy Twombly, Lepanto Cycle, 2001

The “Lepanto” cycle is one of Cy Twombly’s major works and consists of twelve paintings that are exhibited permanently in a separate room at Museum Brandhorst. Vibrant hues in a broad palette of yellows, reds, turquoise and aquamarine define the drama of the monumental paintings. The action on the canvases intensifies, all the artist’s painting tools and painterly gestures are used expressively.

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Artwork Jean-Michel Basquiat, Untitled, 1983

Jean-Michel Basquiat combined symbols, words, letters and drawings in his picture. The painting is untitled, but because of the unique mixture of recognizable signs and traces you can read much from it as a viewer. With oil paint and oil pastels, the artist painted restlessly diverse references ranging from European cultural history to African-American counterculture.

Which stories remain particularly vivid?

When someone tells a story, it doesn’t necessarily need to be important for many people, or remembered for a long time. Personal stories based on one’s own experiences, or pretending to be, often have greater effectiveness or reach. They touch us more, arouse more empathy and compassion in us. Sometimes we can identify with them. Some open our eyes to social structures and inequalities, to the perspectives of others.

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Artwork Arthur Jafa, Monster, 1988/2019

Arthur Jafa points the camera directly at his mirror image. He stares at us with his penetrating gaze. The artist developed the photo at human scale, thus confronting the self-portrait even more directly with the person viewing it. What is notable for his photography is his work on developing sensitive techniques for representing black and dark tones on film. Throughout the image, black and white flow into one another.

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Artwork Wolfgang Tillmans, Buchholz & Buchholz Installation 1993, 1993

This room represents an exact replica of the Buchholz & Buchholz Gallery, where Wolfgang Tillmans exhibited his photographs in 1993. Here the artist tested a form of presentation in which photographs, photocopies, and reproductions of magazine pages stand side by side on an equal footing and are distributed throughout the room.

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Artist Nicole Eisenman

was born in Verdun, France, in 1965. They live and work in Brooklyn.

Who is telling what to whom? And how?

When stories are told about others, storytellers have a lot of power. As storytellers, we influence the perception of the listeners or viewers. Some artworks from the Brandhorst Collection deal with the way history and stories are told in the media. Do they belong there? Have you noticed the kind of languages and images that keep popping up in the news or on social media?

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Artwork Lucy McKenzie, Rebecca, 2019

A painted mannequin is at the center of this picture. She is placed in an interior full of specially-designed objects. Marble, wooden and silky materials. A book about the dramatic staging of fashion. And a map of Glasgow, Lucy McKenzie’s birthplace, which is hung as wallpaper.

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Artwork Andy Warhol, Triple Elvis, 1963

The photo of the singer Elvis Presley in the role of a gangster is the basis for this work. Andy Warhol repeated the same motif three times on a silver canvas. This repetition was made possible by the silkscreen technique, in which Andy Warhol saw many advantages for his artistic work. The pale figure of Elvis stands out against the metallic background as if in an old film or fog.

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Artwork David LaChapelle, Recollections in America, VI: Kahlua and Milk, 2006

The photograph is part of the series “Recollections in America” by the US- American artist David LaChapelle. In this photo, a lively party seems to be in progress. But the celebration gets out of hand: a child is given the coffee liquor Kahlua in a flask. A gun and a grenade are lying on the dresser. Is the photo staged or did the photographer take a snapshot of a bizarre party?

Does history tell us more about past events or about ourselves?

Historiography wants to record the past as accurately as possible. But history can also tell or contain made-up things. Therefore, there is often no such thing as one, single history. It is not uncommon for fantasies and actual events to be mixed. There are often large gaps in our knowledge about past times and the history changes with this knowledge. Or even depending on who is examining and narrating it, and what goals that person has. That is even more the case with social or personal events. Is it possible, therefore, to speak of a true story or history, or does it necessarily depend on the voice that tells it? What artistic techniques do artists use to tell a story?

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Artist Jutta Koether

was born in Cologne in 1958.

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Artwork Atelier E.B (Lucy McKenzie und Beca Lipscombe), Faux Shop, 2018

“Faux Shop” is a sculptural installation and at the same time a shop window for a fashion collection. The shop window mimics a women's clothing store. Lucy McKenzie painted the marbled parts of the installation herself in an illusionistic manner. Like moving ghosts, the clothes were either pinned to the walls, placed in the display, or suspended dynamically from wires. The clothes are from Atelier E.B, a collaborative fashion label and research studio that Lucy McKenzie runs with designer Beca Lipscombe.

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Artist Wolfgang Tillmans

was born in Remscheid in 1968. He lives and works alternately in Berlin and London.